Giller finalist stories are woven by threads of how we all have something missing in life

Get ready to be confused by Angélique Lalonde’s acclaimed collection of bizarre and wonderful short stories, Glorious Frazzled Beings, shortlisted for the 2021 Scotiabank Giller Prize. Through visceral and immersive storytelling, Lalonde discovers fragments of the human experience that are both tender and unpleasant, revealing our most exhausting-and glorious-qualities that make us who we are. .

Separated into four movements, all highlighting different aspects of home and belonging, Glorious Frazzled Beings is both simple and spellbinding. In the first movement, Homemaking, one character explores a secret, spectral town locked in time, while another adopts a futuristic, fantasy world where humans, androids and animals live in harmony. . While one staff member watched a curious, looking fellow who might be a ghost, another also found the fall of his mother’s posthumous online dating profile. Full of fun, this first movement invites us to admire the world and ponder the mystery of life, showing how we create identity and immerse ourselves in who, what, and where we are.

House of Anansi</p>
<p>Angélique Lalonde’s latest collection explores fragments of the human experience, both tender and unsatisfactory, in spiritual but grounded writing.</p>
<p>Anansi House</p>
<p>Angélique Lalonde’s latest collection explores pieces of human experience, both soft and unpleasant, in spiritual but grounded writing.</p>
<p>Housekeeping, the second movement, is less imaginative and more grounded, less bizarre and less sad.  Through vivid vignettes, Lalonde chooses different ways of slow living and inevitably removes like leech colors from a painting left in the rain.  Relationships between parents and children are complex, emotionally muddy and muddy.  Every mother has sacrificed and suffered, resenting their children for stealing part of their existence.  On the flipside, children see that their parents are ordinary, flawed and sometimes disgusting.  In each story, we see how few of us are torn by circumstance or decay over time, and how we glue and glue ourselves together.			</p>
<p>The third movement, Home Breaking, reveals a dark and often dirty side of humanity.  If Housekeeping reveals our gradual remedies that allow us to keep ourselves whole, Home Breaking reflects the tragedies that have completely crumbled us.  Here, Lalonde looks at the generation of trauma, homelessness, addiction, toxic relationships and unfulfilled expectations with inevitable sincerity.  Every character is hurt and every story is unthinkable.			</p>
<p>The last movement, Homing, examines how we reunite ourselves, whether in spite of or because of lack, absence, longing and destruction.  Just as one character uses an art form that connects him to the world of spirits, another collects the carpets on which he hangs out in his home and in his soul.  Telling everyone, Lalonde weaved different threads to create a tapestry that shows how we all miss a little something.  Like a broken porcelain cup, none of us moves through life unscathed and comes out uninterrupted.  And, while we are all delicate and damaged, it does not diminish how rich we are.			</p>
<p>Finding brilliance in the midst of the strange is not always easy, and <em>Glorious Frazzled Beings</em> is often more frazzled than glorious.  Although often sporadic and often completely unique, this collection certainly captures Lalonde’s talent in spiritual but grounded writing.			</p>
<p>There’s magic to it, but it doesn’t sparkle like the Hollywood magic version.  Instead, it glimmers and flickers around, but perhaps a deeper, more real magic.			</p>
<p style=Katrina Sklepowich is a lover of all things literary, and creator of the Literally, Katrina podcast and blog at

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